She doesn't remember it, but Marie Christine Palombit must have been born with a pencil in her hand!

At the age of seven, fourteen and sixteen, her budding talent is already spotted and rewarded at shows, competitions, festivals thanks to her mother who does not wait for her daughter's agreement
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She doesn't remember it, but Marie Christine Palombit must have been born with a pencil in her hand!

At the age of seven, fourteen and sixteen, her budding talent is already spotted and rewarded at shows, competitions, festivals thanks to her mother who does not wait for her daughter's agreement to present her work. This very shy girl will never leave pencils and brushes to express herself. She finds the rigor complementary to her creativity in the interior design that she will exercise for ten years until her meetings with Ben Ami Koller and Gérard Bignolais who will push her to present her work in galleries and salons. .

We are in 1991, and Marie-Christine traces the first hairline of the continuation of its history.

The body, the movement, the woman nourish Marie-Christine's work. An obvious fact for this lover of others whether they are from here or elsewhere. Another obvious feature was the creation in 2005 of his “Artcorpus" workshop at the gates of Paris, in Montreuil. More than a space dedicated to its production, it is a real interactive place full of artistic creations, an essential step during the Open Doors of Montreuil.

It is here that two directors will film the amplitude and generosity of Marie-Christine's creative gesture.

In 2007, a film by INA formation staging his plastic work "Making a body or the creative gesture" under the direction of Bernard Monsigny (France 2, Special Envoy, Pro CD, etc…)

In 2015, Marcel Nakache produced “In the light of gesture and line" during a scenography session where the artist produced with his model his “Organic Calligraphies".